![]() ![]() ![]() Increasingly it’s 4K XAVC or complex H.264 based temporally compressed codecs. It could also be 4K ProRes 4444 XQ or 1080p ProRes 422. By “native”, I mean original camera source media that has not been transcoded into some kind of more manageable “proxy” media first.Īt the high-end this could be 4K – 6K (soon 8K) camera RAW, it could be 4K DPX frame sequences from scanned film negative, CinemaDNG RAW or OpenEXR frame sequences. Few people realise just how much we are expecting from a system such as Resolve when it comes to fluid real-time native playback of very high resolution, complex digital video formats. We live in an instant world, and we expect instant response from our technology. I use the word manageable, because these tools will not directly speed up your system, but they do help you manage your hardware limitations, and can ensure real-time performance where it’s most important at the cost of some rendering time. If your system is lagging and you’re not able to upgrade your hardware, there’s a few ways to make your Resolve experience a bit more manageable. Thankfully there are some clever tools built in to make sure you can still get the job done when Resolve starts to slow down. ![]() It also has a greedy appetite for GPU power. DaVinci Resolve 12 is the most powerful version yet of the industry’s most loved finishing tool. ![]()
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